BJ Jahanian Book Atelier is a small Syracuse bindery led by Karen Dailey — restoring heirloom volumes, hand-binding new books, and giving worn pages a second century of life.
I opened this small workshop in a converted carriage house on Buckhannan Avenue nearly two decades ago, after ten years apprenticing under a conservator in Rochester. What started as a side table with a bone folder and a stack of my grandmother's damaged prayer books grew — slowly, deliberately — into the atelier you see today.
We take on a limited number of commissions each month. Every project passes through my hands, from the first assessment to the final gold-tooled title. That's a promise, not a marketing line.
— Karen Dailey, Founder & Head Binder
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Four decades of combined experience in traditional bookbinding, paper conservation, and archival repair — offered by a two-person studio that still writes intake notes by hand.
Heirloom Bibles, family cookbooks, first editions and treasured childhood copies — brought back with reversible, archival techniques.
Manuscripts, dissertations, memoirs, portfolios and wedding albums bound in full leather, cloth, or marbled paper — foil-stamped to your specification.
Consultation for private libraries, small institutions, and family estates. We survey, stabilize, box, and — where appropriate — restore.
Good binding cannot be rushed. Here is how a project moves from your kitchen table to our workbench and back again.
You share photos or bring the volume in. We discuss condition, sentimental value, and the options honestly.
Within five business days, a plain-language quote — materials, hours, timeline, and reversibility.
The book enters the queue. Every stitch, paste-down, and tooled letter is done here on Buckhannan Avenue.
You receive a condition report, care notes, and — for restorations — before-and-after documentation for your records.
We source full-grain vegetable-tanned goatskin from a small tannery in Devon, England; handmade Hahnemühle and Cave Paper endpapers; linen thread from Barbour of Ireland; and 23-karat loose leaf for tooling. When we cannot verify a material's provenance, we don't use it.
For repairs, we work exclusively with reversible, pH-neutral adhesives and Japanese kozo tissues — nothing on your book that a future conservator cannot undo.
See materials & pricingKaren returned my grandfather's 1898 hymnal in better shape than the day he received it. The care shows in every stitch.
We commissioned twelve custom binding cases for a departmental archive. Delivered on time, meticulously documented, priced fairly.
I brought her a childhood picture book held together with tape. It came home as if the sixty years in between had simply been undone.
We take on a limited number of new projects each month. Reach out with a photograph and a few sentences — Karen will reply personally within one business day.
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